Our long awaited and most troubled title, NIGHTMARE, will finally be released on DVD in late 2010. This over budgeted project has been plagued with problems from the beginning: the damaged negative was unusable, four 35mm prints that had been claimed to be "pristine" were covered in white dots and emulsion scratches, and there were 3 botched telecine jobs on the transfer. Then there was the overpriced money pit extra of the Romano Scavolini interview that was supposed to have been shot in English, but was conducted in Italian. Anyway, it is not just translating the interview from Italian to English - that is fairly easy. The main issue is that every line of the translation needs to be timed to when Scavolini is talking so that it can be matched to when he's speaking. It's not as easy as using a dialog list for a feature film where you have various characters conversing and it's easy to put the subtitles where/when they belong. This Scavolini interview is basically a 95-minute one man talking feature-length film and requires much more than a translator just writing down what he's saying on a piece of paper. In case you are not aware, a 95-minute interview is much more dialog driven than an average feature film - and that is why the subtitling houses wanted more money for this project than subtitling an actual movie. The budget of this release is already way beyond the estimated sales and I simply do not have the money to put anything more into it. DVD sales have been extremely poor for the last 14 months and breaking even in this business is becoming a pipe dream.
To fix the best out of the 3 telecines we did, it is costing $42,000 to do it right (or more like passable). CODE RED does not recoup $42,000 in sales on any title. Overseas sales could be one way of recouping, but the film is already being bootleged in most countries even though it has a valid copyright. There is no way of stopping these thieves and no way of us getting some overseas funds to fix the film. Currently, a German DVD sleazeball label is bootlegging 4 of our titles, the same 4 we still haven’t recouped on. They saw profit before we even got to it.
Another problem was that many fans wanted the NIGHTMARE IN A DAMAGED BRAIN version, which is very strange as that is the UK title and it’s the cut version. It never played anywhere outside of the UK under that title. If any of you want that cut version, I can’t help you.
Goldmine Productions wants NIGHTMARE out and the fans want it out, so the most we can do is put out what we have done and move on. For the extras, we do have the participation of Baird Stafford and also main special effects man (Florida scenes) Cleve Hall. This is all we can deliver as far as extras at this time. There is a remote chance the Scavolini interview may be worked out in time for the release, but at this moment, that is not confirmed or finalized so as it stands now we have to say it won't be included. Also, this may be hard to believe to fans of NIGHTMARE, but most of the people who worked on the film do not like the film, were never fully paid, and have nothing but bad memories working on it. 90% of the people we asked turned us down for an interview. One even said he wished the film would go away and he was happy that the negative was destroyed. Of course, we know the fans absolutely LOVE the film and that's what really counts.
NIGHTMARE received twice the amount of email requests as our recently released SLITHIS, and that movie only sold 489 copies. NIGHTMARE has to sell 4,200 copies just to break even. That amount is practically impossible in today’s market for a niche title as this. Simply put, the funds coming in from my second business and freelance work are currently paying for CODE RED’s losses.
For the horror fans who didn’t support us in our past releases, it will be eBay time soon for stores/dealers because many of our titles will be Out Of Print by the beginning of next year. It’s fun to rent, but pretty soon if you want to own these discs, you better do so soon as several of our catalog titles are no longer going to be repressed. THE FOREST (special edition version), DOOM ASYLUM, FABULOUS JOURNEY TO THE CENTER OF THE EARTH and DEVIL TIMES FIVE (special edition version) are out of print. Many other title like THE UNSEEN, BOARDINGHOUSE, SOLE SURVIVOR, RUNNING HOT, and PETS will not be repressed and some of them have a very limited quantity left.
In any event, the long wait is finally over. NIGHTMARE is coming to DVD in 2010 in its best possible presentation. We hope you all enjoy the release and appreciate all your patience. Watch this spot for the official announcement of the streetdate. Thanks for the support!
UPDATE: Sorry - there were a couple of people who posted comments that were just now accidentally deleted. Please repost if you can as we want to make sure everybody's voice is heard. Sorry for the tech issue. Thanks for your support!
Showing posts sorted by relevance for query nightmare. Sort by date Show all posts
Showing posts sorted by relevance for query nightmare. Sort by date Show all posts
Saturday, July 3, 2010
Wednesday, August 8, 2007
updates on NIGHTMARE from the DVD supplement producer Lee Christian
To all those awaiting release of Romano Scavolini's "Nightmare".
On behalf of Code Red DVD, it's my pleasure to thank all of you for your interest in our eagerly awaited release of this highly controversial film. In response to your recent emails, I'd like to touch on some the points of interest that seem to have generated great concern over our handling of the film.
First, let's address the source of the transfer. The source is indeed a 35 mm release print. Why? Start by asking long-time DuArt lab technician and "Nightmare" co-editor Jim Markovic. Mr. Markovic's extensive resume cannot be summed in a single sentence, so we'll merely sum up that which is most obviously relevant. From editing trailers for some of the most memorable films of the 42nd Street grindhouse era to his work with Scavolini on both "Nightmare" itself and 1989's "Dog Tags," Mr. Markovic now works for DuArt Labs.
In 1980, Markovic was hired by Scavolini to work as an assistant editor on "Nightmare." When Code Red acquired the DVD rights to the film, we had access to the original negative which had been stored improperly for more than two decades. Knowing that Markovic had worked on the film and -- even better -- was now an employee of DuArt Labs, we brought the negative to him hoping that he could assist us in the restoration process.
Unfortunately, more than two decades of improper storage had imposed an irreversibly fate. Plagued with mold, crinkling, and years of water damage, the negative had suffered damage beyond repair. Markovic will attest to this in an interview in our DVD of "Nightmare." Without a useable negative with which to work, we had no choice but to turn to the best possible known source; a theatrical release print which is actually a composite of the best reels of seven release prints known to exist. While this source definitely shows wear, it's the best source available and we are in the process of digitally cleaning it up for the DVD release.
As for the aspect ratio, indeed the film was projected at the 1x1.85 aspect ratio in its theatrical release. However, it was shot full aperture as evidenced by the existing release prints. Despite ongoing debate on the internet about how the aperture was set back in 1980 when Scavolini shot the film, the simplest confirmation comes from simply looking at the film elements themselves; there is no 1:1.85 matting. Period.
Furthermore, having already released other letterboxed titles (such as "The Forest" and "Devil Times Five" and the up coming "Sole Survivor", "Teenage Hitchhikers", "The Dead Pit", "The Visitor", "Beyond the Door" and "Hot Moves" etc), why would we deliberately choose to crop an 35mm print matted to 1:1.85? Where's the logic in that? If you have an answer to that, swing it our way. It would be quite amusing to read. For the record, Mr. Markovic will also attest to the film's aspect ratio in our interview with him.
Our choice to transfer the full frame image is consistent with the logic applied by George Romero in the Anchor Bay releases of "Martin" and "Night of the Living Dead," Frank Henenlotter in the DVD release of "Basket Case," and even Stanley Kubrick's preference for this format in the DVD releases of "The Shining" and "Eyes Wide Shut." Our own releases of "Doom Asylum" and "Don't Go In The Woods" were released as full frame for the same reasons, with director approval and supervison in each case.
Doing so, however, would compromise some key images, most specifically the beheading of the prostitute in the flashback scene. We feel that this showcase of the film's most incredible effects work deserves full exposure for the film's most devoted admirer's. THIS is the reason for our choice to do the film justice by giving it a full frame release.
Other films that have lost such integrity in their DVD incarnations due to letterboxed matting include the Anchor Bay DVD release of "Fade To Black," in which a shower scene loses the exposure of Linda Kerridge's breasts and the same company's release of "Mischief," in which Kelly Preston's pubic hair is lost due to matting.
As for missing scenes, obviously we would include these if we could confirm A) their current where-abouts and (most importantly), B) whether or not they were shot to begin with. Scavolini has only confirmed that one such missing scene was ever shot: A scene in which he cameos as a psychiatrist. Romano suspects that this was most likely destroyed after all the film's negative trims were trashed.
Beyond that, Baird Stafford, who plays George Tatum in the film, informed us that most effects scenes were shot two ways: One version for the American release (which all involved thought at the time would end up with an R-rating) and a gorier version originally intended for European audiences. On that note, a last minute choice was apparently made by the 21st Century, the American distributor, to forego an R-rating and release the film unrated. (Although in 1983, a cut version was eventually submitted to the MPAA and successfully secured an R-rating. According to Markovic, however, this R-rated version contained no new footage; it was merely a cut version of the unrated version. In our search, we haven't come across any prints of this R-rated version.
Rumors of additional missing scenes have none the less persisted on the internet, but our investigation of their very existence has been based on the following: The surviving film elements, and the testimony of those involved; Romano Scavolini himself, Baird Stafford, and make-up effects artist Cleve Hall. Our conversations with Romano, Baird, and Cleve have all elicited the same response: NONE of them recall anything other than the psychiatrist scene ever having been shot. these rumored scenes ever having been shot.
All of these participants (ROMANO SCAVOLINI, BAIRD STAFFORD, CLEVE HALL, JIM MARKOVIC, WILLIAM MILLINGS, MIC CRIBBIN, WILLIAM PAUL) have been very generous with us in the DVD release of "Nightmare" and we can only take them for their word when they tell us they have no memory of any other missing scenes having been shot. We've also spoken to actor/unit manager Mic Cribben, but he maintains that he has very little memory of the film at all, let alone what scenes are missing. All of the film elements that we've uncovered are consistent with the 1983 VHS release by Planet Video.
In closing, we hope that you enjoy the release of "Nightmare" as much as we've enjoyed the labor of love it has become. We look forward to giving it's fans the most comprehensive release it's been allowed to have with extras that will provide some fascinating insight into the making of this film.
Lee Christian
On behalf of Code Red DVD, it's my pleasure to thank all of you for your interest in our eagerly awaited release of this highly controversial film. In response to your recent emails, I'd like to touch on some the points of interest that seem to have generated great concern over our handling of the film.
First, let's address the source of the transfer. The source is indeed a 35 mm release print. Why? Start by asking long-time DuArt lab technician and "Nightmare" co-editor Jim Markovic. Mr. Markovic's extensive resume cannot be summed in a single sentence, so we'll merely sum up that which is most obviously relevant. From editing trailers for some of the most memorable films of the 42nd Street grindhouse era to his work with Scavolini on both "Nightmare" itself and 1989's "Dog Tags," Mr. Markovic now works for DuArt Labs.
In 1980, Markovic was hired by Scavolini to work as an assistant editor on "Nightmare." When Code Red acquired the DVD rights to the film, we had access to the original negative which had been stored improperly for more than two decades. Knowing that Markovic had worked on the film and -- even better -- was now an employee of DuArt Labs, we brought the negative to him hoping that he could assist us in the restoration process.
Unfortunately, more than two decades of improper storage had imposed an irreversibly fate. Plagued with mold, crinkling, and years of water damage, the negative had suffered damage beyond repair. Markovic will attest to this in an interview in our DVD of "Nightmare." Without a useable negative with which to work, we had no choice but to turn to the best possible known source; a theatrical release print which is actually a composite of the best reels of seven release prints known to exist. While this source definitely shows wear, it's the best source available and we are in the process of digitally cleaning it up for the DVD release.
As for the aspect ratio, indeed the film was projected at the 1x1.85 aspect ratio in its theatrical release. However, it was shot full aperture as evidenced by the existing release prints. Despite ongoing debate on the internet about how the aperture was set back in 1980 when Scavolini shot the film, the simplest confirmation comes from simply looking at the film elements themselves; there is no 1:1.85 matting. Period.
Furthermore, having already released other letterboxed titles (such as "The Forest" and "Devil Times Five" and the up coming "Sole Survivor", "Teenage Hitchhikers", "The Dead Pit", "The Visitor", "Beyond the Door" and "Hot Moves" etc), why would we deliberately choose to crop an 35mm print matted to 1:1.85? Where's the logic in that? If you have an answer to that, swing it our way. It would be quite amusing to read. For the record, Mr. Markovic will also attest to the film's aspect ratio in our interview with him.
Our choice to transfer the full frame image is consistent with the logic applied by George Romero in the Anchor Bay releases of "Martin" and "Night of the Living Dead," Frank Henenlotter in the DVD release of "Basket Case," and even Stanley Kubrick's preference for this format in the DVD releases of "The Shining" and "Eyes Wide Shut." Our own releases of "Doom Asylum" and "Don't Go In The Woods" were released as full frame for the same reasons, with director approval and supervison in each case.
Doing so, however, would compromise some key images, most specifically the beheading of the prostitute in the flashback scene. We feel that this showcase of the film's most incredible effects work deserves full exposure for the film's most devoted admirer's. THIS is the reason for our choice to do the film justice by giving it a full frame release.
Other films that have lost such integrity in their DVD incarnations due to letterboxed matting include the Anchor Bay DVD release of "Fade To Black," in which a shower scene loses the exposure of Linda Kerridge's breasts and the same company's release of "Mischief," in which Kelly Preston's pubic hair is lost due to matting.
As for missing scenes, obviously we would include these if we could confirm A) their current where-abouts and (most importantly), B) whether or not they were shot to begin with. Scavolini has only confirmed that one such missing scene was ever shot: A scene in which he cameos as a psychiatrist. Romano suspects that this was most likely destroyed after all the film's negative trims were trashed.
Beyond that, Baird Stafford, who plays George Tatum in the film, informed us that most effects scenes were shot two ways: One version for the American release (which all involved thought at the time would end up with an R-rating) and a gorier version originally intended for European audiences. On that note, a last minute choice was apparently made by the 21st Century, the American distributor, to forego an R-rating and release the film unrated. (Although in 1983, a cut version was eventually submitted to the MPAA and successfully secured an R-rating. According to Markovic, however, this R-rated version contained no new footage; it was merely a cut version of the unrated version. In our search, we haven't come across any prints of this R-rated version.
Rumors of additional missing scenes have none the less persisted on the internet, but our investigation of their very existence has been based on the following: The surviving film elements, and the testimony of those involved; Romano Scavolini himself, Baird Stafford, and make-up effects artist Cleve Hall. Our conversations with Romano, Baird, and Cleve have all elicited the same response: NONE of them recall anything other than the psychiatrist scene ever having been shot. these rumored scenes ever having been shot.
All of these participants (ROMANO SCAVOLINI, BAIRD STAFFORD, CLEVE HALL, JIM MARKOVIC, WILLIAM MILLINGS, MIC CRIBBIN, WILLIAM PAUL) have been very generous with us in the DVD release of "Nightmare" and we can only take them for their word when they tell us they have no memory of any other missing scenes having been shot. We've also spoken to actor/unit manager Mic Cribben, but he maintains that he has very little memory of the film at all, let alone what scenes are missing. All of the film elements that we've uncovered are consistent with the 1983 VHS release by Planet Video.
In closing, we hope that you enjoy the release of "Nightmare" as much as we've enjoyed the labor of love it has become. We look forward to giving it's fans the most comprehensive release it's been allowed to have with extras that will provide some fascinating insight into the making of this film.
Lee Christian
Sunday, April 22, 2007
NIGHTMARE commentary with Baird Stafford hosted by David DeCoteau done
Baird Stafford, who plays the lead in NIGHTMARE, was kind enough to fly all the way from the East Coast to share his memories and thoughts on an on-camera interview, as well as an audio commentary for our upcoming release of NIGHTMARE. Baird had many, many good memories of the film, and gave us over an hour's worth of on camera interview!
In the commentary, Baird was joined by the make up artist Cleve Hall who did the bulk of the make up effects, and he and Baird end all the urband legends regarding some of the myth surrounding the film. (There were NO six different endings shot,there was no shot of the 16 year old girl being killed, etc)
The commentary was hosted by Lee Christian and moderated by filmmaker David DeCoteau who stepped in the last minute when the original moderator Sage Stallone was unable to attend due to last minute schedule changes. Thanks Baird! Thanks David and Cleve! Stay tune for more updates!
The commentary was hosted by Lee Christian and moderated by filmmaker David DeCoteau who stepped in the last minute when the original moderator Sage Stallone was unable to attend due to last minute schedule changes. Thanks Baird! Thanks David and Cleve! Stay tune for more updates!
Monday, November 3, 2008
STUNT ROCK and NIGHTMARE at the Olympia Film Festival!
Stunt Rock
Directed by: Brian Trenchard-Smith
Capitol Theater, Friday Nov. 14 at 11:59 PM
1978 / USA / 86 minutes / 35mm
Pyrotechnics, Extreme Rock and Roll, Budding Romance, and Beer…what more does your Friday night need?
In this epic rock and roll saga, Grant Page, famous Aussie stuntman and stunt coordinator on countless favorites including Mad Max III: Beyond Thunderdome, teams up with musical group Sorcery to perform incredible stunts and magic! Impressively fantastical, Sorcery’s stage show includes grand battles between the King of the Wizards and the Prince of Darkness, as well as awe-inspiring stunts with large impaling objects and cars. Stunt Rock in the ultimate eye candy for thrill seekers and rock and roll adventurers!
Beer will be available for purchase with ID in the mezzanine.
Nightmare (A.K.A. Nightmare in a Damaged Brain)
Directed by: Romano Scavolini
All Freakin' Night
Capitol Theater, Saturday Nov. 15 at 11:59 PM
1981 / USA / 97 minutes / 35mm
A cautionary tale for those who don't believe that what you experience as a child shapes you as an adult. As a boy, George Tatum witnessed an event that his young brain couldn't handle. An event so shocking that traumatized little George grew up to be a psychopathic murderer! After being institutionalized for many years, he escapes his psychiatric prison with only one desire… to be reunited with his family. Unfortunately for an unlucky few (and his family), George is still a bit crazy with just a slight compulsion to kill! In the veritable sea of early 80s slasher movies, this cross between Maniac and Halloween stands out as one of the sleaziest, grimmest, and greatest entries of the lot. Climaxes in the greatest double axe slaying ever filmed!
Directed by: Brian Trenchard-Smith
Capitol Theater, Friday Nov. 14 at 11:59 PM
1978 / USA / 86 minutes / 35mm
Pyrotechnics, Extreme Rock and Roll, Budding Romance, and Beer…what more does your Friday night need?
In this epic rock and roll saga, Grant Page, famous Aussie stuntman and stunt coordinator on countless favorites including Mad Max III: Beyond Thunderdome, teams up with musical group Sorcery to perform incredible stunts and magic! Impressively fantastical, Sorcery’s stage show includes grand battles between the King of the Wizards and the Prince of Darkness, as well as awe-inspiring stunts with large impaling objects and cars. Stunt Rock in the ultimate eye candy for thrill seekers and rock and roll adventurers!
Beer will be available for purchase with ID in the mezzanine.
Nightmare (A.K.A. Nightmare in a Damaged Brain)
Directed by: Romano Scavolini
All Freakin' Night
Capitol Theater, Saturday Nov. 15 at 11:59 PM
1981 / USA / 97 minutes / 35mm
A cautionary tale for those who don't believe that what you experience as a child shapes you as an adult. As a boy, George Tatum witnessed an event that his young brain couldn't handle. An event so shocking that traumatized little George grew up to be a psychopathic murderer! After being institutionalized for many years, he escapes his psychiatric prison with only one desire… to be reunited with his family. Unfortunately for an unlucky few (and his family), George is still a bit crazy with just a slight compulsion to kill! In the veritable sea of early 80s slasher movies, this cross between Maniac and Halloween stands out as one of the sleaziest, grimmest, and greatest entries of the lot. Climaxes in the greatest double axe slaying ever filmed!
Tuesday, June 23, 2009
THE STRANGENESS on 8/18
On August 18th, Code Red DVD will unleash THE STRANGENESS! It is 1980 and the price of gold is soaring. Old timers warn would be prospectors to stay away from the Gold Spike Mine. It has stood as a ghastly reminder of the horrors of a century before when the earth violently shook and over twenty miners were killed, their bodies stripped of flesh. The residents of Basin City talked of the grisly murders only in whispers from which legends of The Strangeness grew. A small group of explorers innocently make their way to the Gold Spike. Only one knows the incredible secret of the mine, and here the nightmare begins.....!
NIGHTMARE USA's Stephen Thrower described the film as having, "Ominous atmosphere, flashes of humour, and a truly startling monster!"
Shot in 16mm, Code Red presents the film in 16x9 widescreen (as requested by the director) from a HiDef master. Extras include 6 short films from Chris Huntley and Mark Sawicki; audio commentary from Sawicki, Huntley, and the director; on camera interviews with all three; and an extensive still gallery. MSRP is $22.98.
Friday, February 17, 2012
CODE RED PLANS TO SELL DIRECT TO CUSTOMERS
Due to the poor sales NIGHTMARE received after multiple complaints and even death threats, it seems the majority of complainers and would-be killers didn't even buy the dvd. The only way for lesser known title to turn a profit is to eliminate the middle man. Out of the 35 titles released in 2011, only seven titles made a profit (not NIGHTMARE, the most harassed title). Due to shipping and stores wanting 55% off the suggested retail price, and the distributor getting their cut, it seems a $19.95 title only coughs up a tiny $7.00 profit, and then 1/2 of money gets eaten away from pressing and shipping to stores gets slapped on and there's always returns. If we can sell direct, or sell at only one place with just one shipping charge to transport the dvd, then recoup/profit can be made. Most "in" dvd labels have no problem dumping 3,000 titles, but the titles CODE RED are putting out are old films from the 70's/80's that buyers seem to push back with, "l'll buy it later". This is strange since other labels' product is still in print after 6 years, and what little Code Red titles sell seem to skyrocket in value (like investing in gold) after 2-3 years. Selling direct can be the answer to keeping titles in-print longer, and we can personally answer the complainers since we can check our records to see if they actually bought the dvd or not. So far the major complaint was that NIGHT OF THE DEMON didn't have a reversible cover, when it does. This means they didn't buy it. How can we answer these people who do not even buy the product? It's like Pizza Hut apologizing to a vegan about their Meat Pizza Combo, when the vegan would never buy it to begin with. Once we get organized, we can start selling the new releases of 2012 direct to our customers (not rental stores, and more to the loyal horror buyers). We are going to test the waters soon with a much requested biggest Canadian thriller/horror GHOSTKEEPER. Thanks to all who support Code Red. (this direct sale will only be smaller titles, and not high profile titles)
Monday, February 16, 2009
CODE RED HAS A ZOMBIE NIGHTMARE
CODE RED recorded an audio commentary & filmed on-camera interviews with John Fasano and Frank Dietz for our upcoming release of ZOMBIE NIGHTMARE, the movie that started the Thor/Fasano craze that is sweeping horror fandom. Thor could not attend the commentary in person, but he joined us via telephone and his comments were recorded at his Canadian studio, making this a joint discussion track for Thor/Fasano/Dietz. The commentary, moderated by THE JITTERS writer Jeff McKay, will be fun and informative to all the horror fans out there who loved or hated the film. This Adam West/Tia Carrere horror film is also beloved by most Mystery Science Theatre fans as one of the craziest movies ever featured on the show! Code Red is planning a late 2009 release and are also planning to HiDef the film with the original camera negatives! Keep checking in for more details!! Same CODE RED time, same CODE RED label!!
Sunday, March 2, 2008
NIGHTMARE update from Romano Scavolini
Romano was kind enough to answer some questions regarding some comments made about NIGHTMARE.
Some claim a longer cut exist, with additional footage; Romano replied, "Regarding the scenes which were never edited into the film (scenes with Baird buried in the sand, and others scenes about C.J. hanging himself in front of his friends, etc): I don't know where they are. They were thrown away, discarded, and never edited together as completed scenes. Romano Scavolini "
As for the version we are working on, Scavolini, who has seen it, confirms "AND POSITIVELY, THIS IS THE UNCUT VERSION WHICH WAS RELEASED IN NEW YORK MORE THAN 20 YEARS AGO...SO FEEL FREE TO ANSWER TO YOUR CRITICS THAT I ACCEPT THIS VERSION."
As for the head scene repeating twice, Scavolini told us this was a editing choice by the editor, and quotes " I ACCEPTED ROBERT MARGGISON'S IDEAS AND THIS IS IT."we hope this answers the critics.
Also Romano want you to see the trailer of his new movie, TWO FAMILIES, starring Richard Johnson and Franco Nero! Here is it!
Some claim a longer cut exist, with additional footage; Romano replied, "Regarding the scenes which were never edited into the film (scenes with Baird buried in the sand, and others scenes about C.J. hanging himself in front of his friends, etc): I don't know where they are. They were thrown away, discarded, and never edited together as completed scenes. Romano Scavolini "
As for the version we are working on, Scavolini, who has seen it, confirms "AND POSITIVELY, THIS IS THE UNCUT VERSION WHICH WAS RELEASED IN NEW YORK MORE THAN 20 YEARS AGO...SO FEEL FREE TO ANSWER TO YOUR CRITICS THAT I ACCEPT THIS VERSION."
As for the head scene repeating twice, Scavolini told us this was a editing choice by the editor, and quotes " I ACCEPTED ROBERT MARGGISON'S IDEAS AND THIS IS IT."we hope this answers the critics.
Also Romano want you to see the trailer of his new movie, TWO FAMILIES, starring Richard Johnson and Franco Nero! Here is it!
Monday, October 6, 2008
BUTCHER BAKER NIGHTMARE MAKER update
We delayed BUTCHER BAKER NIGHTMARE MAKER from our October schedule for a reason: we were finally able to arrange an on camera interview with Jimmy McNichol! Since he is busy and no longer lives in L.A., we weren’t able to have him participate on the DVD earlier this year. However, he contacted us and told us he will be in L.A later this year and would love to participate. We felt to have his on camera interview and maybe even an audio commentary was well worth delaying the release for. Fans of the film will surely enjoy seeing how the 70’s teen idol is today, as well as hear what he has to say about the film! We hope you understand the last minute delay, and hope you feel it was the right decision. The DVD is now scheduled for release in April.
Saturday, June 14, 2008
Producer/writer Stephen Breimer gives Code Red an on camera interview and an audio commentary for BUTCHER BAKER NIGHTMARE MAKER
The Writer/Producer of BUTCHER, BAKER, NIGHTMARE MAKER, Stephen Breimer, was kind enough to not only give us an on camera interview, but he and co-writer Alan Jay Glueckman had also given us an audio commentary several months back for the film! It was moderated by Mondo Digital's Nathaniel Thompson, and we hope you enjoy what Stephen and Alan have to say about the making of this superb cult thriller.
Friday, April 13, 2007
Tom Ward, President/CEO of 21st Century gives Code Red an interview for NIGHTMARE
Tom Ward, still healthy at the age of 90, gives Code Red an exclusive interview regarding 21st Century Distribution, about their big hit NIGHTMARE, and other films released by 21st Century. Thanks Tom!
Saturday, December 29, 2007
Code Red will be distributed by BCI/Navarre
We have a new distributor now, and it is Navarre.
"BCI/Navarre is pleased to add Code Red to its line-up of exclusively distributed DVD labels. They have created some of the best cult titles over the last year; all of these will be re-released, along with over 20 new titles coming in the next year". - Cliff Macmillan, Director of Acquisitions
We will first release SOLE SURVIVOR in April, followed by BOARDINGHOUSE, THE DEAD PIT in May, and other titles such as THE UNSEEN, CAN I DO IT TILL I NEED GLASSES, BEYOND THE DOOR, BUTCHER BAKER NIGHTMARE MAKER, THE VISITOR, THE MUTILATOR, THE NESTING, NIGHTMARE, SPASMS, TERROR CIRCUS, RUNNING HOT, CAGED MEN, and many others to follow, including some drive-in "double features" of all new products. Keep checking our web site for more details, including our new website, launching next week!
"BCI/Navarre is pleased to add Code Red to its line-up of exclusively distributed DVD labels. They have created some of the best cult titles over the last year; all of these will be re-released, along with over 20 new titles coming in the next year". - Cliff Macmillan, Director of Acquisitions
We will first release SOLE SURVIVOR in April, followed by BOARDINGHOUSE, THE DEAD PIT in May, and other titles such as THE UNSEEN, CAN I DO IT TILL I NEED GLASSES, BEYOND THE DOOR, BUTCHER BAKER NIGHTMARE MAKER, THE VISITOR, THE MUTILATOR, THE NESTING, NIGHTMARE, SPASMS, TERROR CIRCUS, RUNNING HOT, CAGED MEN, and many others to follow, including some drive-in "double features" of all new products. Keep checking our web site for more details, including our new website, launching next week!
Monday, May 2, 2011
HOLD THE PRESS! NEW LAST MINUTE EXTRA ON "NIGHTMARE
Special effects make-up artist Edward French, Oscar Nominee and Emmy Winner, quickly gave CODE RED a last minute interview regarding the New York gore scene in NIGHTMARE! French told us about his involvement in the effects, including who made the decapitated head, and who supervised it and who was there. Cleve Hall did the Florida scenes, but now we'll all finally know who did the bloody final scene! French also gave us some other wonderful stories regarding RIOT ON 42nd STREET, BLOOD RAGE, BREEDERS and DEADTIME STORIES. The insghtful interview will hopefully be edited on time and be featured on the dvd!
Thursday, March 13, 2008
Message from Romano Scavolini
After a length talk with Romano on the phone, he has a messge he would like for you to hear after we told him about other versions floating around and the demand of the fans to remove the repeat head shot.
"To the NIGHTMARE fans,
There were 3 editors to NIGHTMARE. I rejected the first two editors vision/cuts, they kept printing new work prints to make their cuts, but I rejected them, for they did not shared my vision. Then I brought in Robert T Megginson, whom I trusted to deliver my vision, and he did, for he shared the same thoughts as I. The producers wanted me to deliver a 98 minute film to fill more screening per night, so we never edited a cut any longer than 98 minutes. The version I have seen from Code Red is my final cut/version. This is my vision.
The head showing up twice is my vision to show the madness of George Tatum with all the drugs he is under. If anyone removes this shot repeating, then that is not my cut as I told Meggenson to edit it this way, and I will disown it if it is removed, period.
As for other European cuts with this shot appearing only once, that is not my cut I delivered, as well as the babysitter scene many are talking about where the kids come down to want to watch TV. I never authorized this scene after the credits, the cut I approve is the cut Code Red have shown me, which is the exact same triple X version shown in NY. This is not BLADE RUNNER, where I tried to re cut it three- four times after the release, this version is my final cut.
I wish no more argument regarding this, if you disagree with my cut, I can't help you for I will REFUSE my name being involved in this project if Code Red cuts the head repeating, or add any additional scenes I never approved of. Please understand and respect my vision as a director.Also the transfer is being worked on by my dear friend Jim Markovic, whom I trust will make my film look the best it can on DVD.
Romano Scavolini"
So the question is, do we give into your demands to alter the film from Scavolini's vision, thus making him not participate in the project, as well as having to remove his name off the credits, or do we honor his wish?
"To the NIGHTMARE fans,
There were 3 editors to NIGHTMARE. I rejected the first two editors vision/cuts, they kept printing new work prints to make their cuts, but I rejected them, for they did not shared my vision. Then I brought in Robert T Megginson, whom I trusted to deliver my vision, and he did, for he shared the same thoughts as I. The producers wanted me to deliver a 98 minute film to fill more screening per night, so we never edited a cut any longer than 98 minutes. The version I have seen from Code Red is my final cut/version. This is my vision.
The head showing up twice is my vision to show the madness of George Tatum with all the drugs he is under. If anyone removes this shot repeating, then that is not my cut as I told Meggenson to edit it this way, and I will disown it if it is removed, period.
As for other European cuts with this shot appearing only once, that is not my cut I delivered, as well as the babysitter scene many are talking about where the kids come down to want to watch TV. I never authorized this scene after the credits, the cut I approve is the cut Code Red have shown me, which is the exact same triple X version shown in NY. This is not BLADE RUNNER, where I tried to re cut it three- four times after the release, this version is my final cut.
I wish no more argument regarding this, if you disagree with my cut, I can't help you for I will REFUSE my name being involved in this project if Code Red cuts the head repeating, or add any additional scenes I never approved of. Please understand and respect my vision as a director.Also the transfer is being worked on by my dear friend Jim Markovic, whom I trust will make my film look the best it can on DVD.
Romano Scavolini"
So the question is, do we give into your demands to alter the film from Scavolini's vision, thus making him not participate in the project, as well as having to remove his name off the credits, or do we honor his wish?
Tuesday, November 13, 2012
last chance for MADMAN
2011 was a rough year for Code Red as titles like NIGHTMARE didn't even sell the amount people on the web boasted it would, and I simply can’t keep all titles in print indefinitely. Some titles will never be re-pressed again; that’s a hard fact. In 2012, Code Red started selling direct as we eliminated the middleman and letting the stores get 60% off, and sales were very small, but still, getting the entire amount proved to be a success overall and kept the company alive. The first title, GHOSTKEEPER, proved to be a success, although later titles like THE BABYSITTER proved to be flops, but several titles like RETRIBUTION and PEOPLE WHO OWN THE DARK seem to be doing well. So direct sales is where we will continue for now. We had some new titles at the tail end of 2012 like DEVIL'S THREE, HEATED VENGEANCE, and SINNER'S BLOOD, but also re-pressed THE VISITOR, NIGHT OF THE DEMON, WITCHMAKER, and JULIE DARLING. Some of the represses did okay, but some did very little business, so repressing doesn't seem overall to be heading towards the right direction for survival. People have to realize that Code Red is not a multi-million dollar company like others and can't keep these things in print forever, so if you want them, buy them now.
We are going to press 500 more copies of MADMAN, so if you missed it then, buy it now, because we are not going to press it ever again.
We are going to press 500 more copies of MADMAN, so if you missed it then, buy it now, because we are not going to press it ever again.
Monday, December 8, 2008
Romano Scavolini gives us an on camera interview!
Well, we finally arranged it! Romano Scavolini has just finished what turned out to be a 90 minute on-camera interview with journalist Paolo Zelati. Only problem is, it's in Italian, so we are trying to subtitle it and then see what to keep and what not to keep. Once this is done, we finally will be ready to release the DVD of NIGHTMARE! But it all depends on when we get to subtitle it. If anybody who understands Italian who wants to volunteer, please let us know. Stay tuned.
Saturday, February 7, 2009
NIGHT OF THE DRIBBLER makes its world debut via Code Red!
NIGHT OF THE DRIBBLER, a comedy slasher shot in 1995, but never released anywhere in the world, will make its world debut via CODE RED DVD this summer! Some psycho wearing a basketball mask is killing off the High School basketball team and it's up to the famous TV Funnyman Fred Travelena to find the killer! In the vein of Peter Sellers films, Fred plays 3 roles in the movie! Canadian TV's COLD SQUAD Gregory Calpakis also stars in this demented comedy horror film that has been lost for many years! Directed and produced by the fine folks who brought you SNUFF, THE CARPENTER, and the cult classic ZOMBIE NIGHTMARE! We hope you all will enjoy this lost classic!
Tuesday, June 12, 2007
Some more pictures of BAIRD STAFFORD with DAVID DeCOTEAU and CLEVE HALL
Here are some more pics of Baird Stafford, along with David DeCoteau, Cleve Hall, Kenneth J Hall and the Code Red staff from the NIGHTMARE commentary session!
Here's Baird holding the T-shirt while the film was being shot, note the shooting title "DARK GAMES".
SFX artist Cleve Hall reunited with Baird after 27 years!
Photos by Lee Christian, enjoy!
Here's Baird holding the T-shirt while the film was being shot, note the shooting title "DARK GAMES".
SFX artist Cleve Hall reunited with Baird after 27 years!
Photos by Lee Christian, enjoy!
Thursday, June 21, 2012
SUSAN "SUSU" TYRELL RIP
We are deeply saddened that Susu passed away Saturday, June 16th. When I first met her, it was for the on camera interview for the BUTCHER, BAKER, NIGHTMARE MAKER DVD. I had to drive to her place to film her and when I arrived at her place, she did not answer the door. The guy who runs the apartment complex came out and said that she was home and probably sleeping. He started yelling, telling her to wake up and answer the door because she had visitors. Susu yelled out, "LEAVE ME ALONE!" The guy yelled back to her that these people have an appointment with her. I yelled out, "Susan, remember the interview? I offered you $400 cash to film the interview!" Susu yelled out, "Hold on! I forgot about this.” She answered the door in a wheelchair, telling us that she needed to look presentable to be filmed. She told me she never saw the film, but people seem to bother her on the film like it was some kind of sin she committed. I told her I brought over the movie so she can watch it and comment on it. The commentary I wanted to do was a bust, as since she had never seen the film, all she kept asking was why she couldn’t have a sex scene with Jimmy McNichol. LOL. She kept putting beer in the freezer and telling me this is the way everyone should chill their beer, and her parrot Ricardo was fun. Since it was Easter, Lee Christian had a gig as an Easter bunny at a party and I told him to show up as an Easter bunny for Susu. Lee showed up with the costume (but not wearing it since he had to give it back) and all Susu could say was, "I guess you were supposed to be my Easter bunny.” LOL. She wanted us to film her putting on her prosthetic legs and wanted us to film her walking with crutches. I gave her $$ and she told me to come closer to her. I did, and she gave me a big kiss and told me that I am a good boy. LOL. She called awhile back asking whatever happened to the dvd. I told her one nasty fat guy was telling everyone that the producers and I are bootlegging the film and that he know it's owned by a bank. Susu asked me if I had a copyright lawyer on this, and I told her I did and spent a fortune and still came up empty. And both distributors did not have perpetuity rights to the film, so any "so-called” bank claim is all bullshit. She told me, "The Fat guy is a prick and I'll kick him with my stump", and that she’d like to get some big black guys to teach him a lesson. The DVD never came out since these terrorists are vindictive liars, and therefore Susu’s film still sits in the Code Red vault. I'll miss you Susu. You were one of a kind and we’ll all remember you forever
Saturday, April 11, 2009
TERROR CIRCUS (aka BARN OF THE NAKED DEAD) screening!
To celebrate the April release date of the official DVD of TERROR CIRCUS (aka BARN OF THE NAKED DEAD), Grand Illusion Cinema in Seattle will be playing this at 11PM on April 10 & 11, a well as 17 & 18
Three showgirls are on their way to Las Vegas to hit the big time. Soon after leaving a desolate gas station in the middle of the desert their car breaks down. Luckily (?) for them the three women are saved by a seemingly nice guy named Andre. He takes the three lovely ladies back to his house. There they soon learn that Andre isn't such a nice guy as they become new additions to his perverted circus of captive women! Tortured and abused they must escape Andre's grasp or die one by one. Oh yeah, and did we mention the horribly disfigured mutant that lives in the shed! A.K.A. Nightmare Circus & Caged Woman 2. Co-presented by Code Red DVD.
And be sure to pre-order the official DVD of this, released thru Media Blasters. Our TERROR CIRCUS (aka BARN OF THE NAKED DEAD) DVD release has been mastered in Hi-Def from the original camera negatives! This is the best this film will ever look, and it has been properly presented in its original aspect ratio of 1.78:1 and in 16x9. Special features include an on-camera interview with star Jennifer Ashley, make-up effects artists Doug White and Byrd Holland, costume designer Alan Apone, and producer Marvin Almeas; as well as an audio commentary with White and Holland. We hope this is what the true fans of this film have been waiting for and that it was worth the wait to see the film in this fully authorized presentation!
Three showgirls are on their way to Las Vegas to hit the big time. Soon after leaving a desolate gas station in the middle of the desert their car breaks down. Luckily (?) for them the three women are saved by a seemingly nice guy named Andre. He takes the three lovely ladies back to his house. There they soon learn that Andre isn't such a nice guy as they become new additions to his perverted circus of captive women! Tortured and abused they must escape Andre's grasp or die one by one. Oh yeah, and did we mention the horribly disfigured mutant that lives in the shed! A.K.A. Nightmare Circus & Caged Woman 2. Co-presented by Code Red DVD.
And be sure to pre-order the official DVD of this, released thru Media Blasters. Our TERROR CIRCUS (aka BARN OF THE NAKED DEAD) DVD release has been mastered in Hi-Def from the original camera negatives! This is the best this film will ever look, and it has been properly presented in its original aspect ratio of 1.78:1 and in 16x9. Special features include an on-camera interview with star Jennifer Ashley, make-up effects artists Doug White and Byrd Holland, costume designer Alan Apone, and producer Marvin Almeas; as well as an audio commentary with White and Holland. We hope this is what the true fans of this film have been waiting for and that it was worth the wait to see the film in this fully authorized presentation!
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